shed just in time for the last show and it's a fairly accurate representation of my state of mind for the past month or two. The Winter and Spring (as some of you may have guessed) were a difficult period for me, but Summer brought a new and improved outlook. And so, "Surfacing" was born. I have imagined myself emerging from the deep - fully clothed and swimming cap intact - hopeful and yet pensive and wondering: What next?.......
combined two of my favorite themes: dreams and houses. It seems that my themes are evolving - so much so that I wonder about the beginnings of an idea and why it must be forever changing! Perhaps, like a dream, there is no telling which way it will go. There is no such thing as control.
been a busy two weeks with the ACC San Francisco show and some delightful after show visitors. I'm just now catching my breath and ready to get back to more regular posting! Today's mask is based on a piece that I made a few years ago. This version is smaller than the original....and that is a trend in my studio right now. I've been making some smaller (more affordable) works in the hope that they might be a bit easier on the pocketbook. I'm still making the larger masks, but I find myself spending more and more time on each piece. I was able to finish a few for this last show and I'll be revealing them soon.
other piece from my "Shigaraki" period. Looking back, I see that all of the masks I made there represent some form of change or movement and this one is a perfect example. Even now, in my raku frenzy, I'm still working with stoneware and stretching its limits as far as I can. The big challenge now is to fire it to near vitrification (for strength) and then use low fire treatments and a final raku firing. Some ceramists have told me that this couldn't be done - but, where there's a will.......
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vily influenced by a painting: "A Visit to the Psychoanalyst" by Remedios Varo (one of my faves). I rarely make a piece so directly linked to another's work - but this one just had to be!
e as a result of my uncertainties about changes in my processes and materials. While at the Institute of Ceramic Studies in Shigaraki, Japan in 2003, I was truly at the mercy of the Fire Gods! Besides using a much higher firing clay, I also had to adjust my glazes to fit. As a result, I spent a lot of time holding my breath and crossing my fingers. It was during this period that "A Wing and a Prayer" was born.
This piece was conceived and made at the same time as the previously shown "Heart Attack" and further illustrates how I work within a theme. All the work I'm currently doing is in this same framework: lots of ongoing themes that sometimes mutate into new themes. For me, creativity is an evolutionary concept and, by its nature, never static.
ys on words, and this piece is clear evidence of that! Most times it is somewhat challenging to get an idea across using only a face, but this mask was almost too easy. Of course, this heart attack is not of the medical emergency sort: I'd like to think that we can be overcome by whimsy and heartfelt delight at any moment.
...what the Doormouse said! Some of you will remember this as the reverberating last words from a favorite old song (circa 1968, The Jefferson Airplane on Surrealistic Pillow - for those of you scratching your heads). It's one of those stanzas that will play back many times in my head, and it did just that recently. Time to bring out this mask for another look and a reminder that nourishing the mind is as important as nourishing the body!
r altered photo today but I had a "change of heart" and decided to let this mask out for an airing. I created this piece a couple years ago - and I still have it. For some reason, the times I've shown the mask, it has gotten very little attention (even with the moving, changeable doors which everyone usually loves). Perhaps the message is just too obvious! Anyway, until she connects with the right home, I get to enjoy her in mine.....
t this fool is ready for anything! If one is willing or unable to prevent playing the fool, there must be some type of protection from the consequences. Here I've chosen armor as the device and it's nailed on good and tight so that this Fool can bumble along at will. Whether our protective coverings are real or metaphoric, they play an important role in shielding us from lifes' unpleasantries....
ect, or should I say verb, is falling. Falling, drifting, descending or however you choose to think of the downward journey. Here, I've crafted a piece that depicts the face as ripe fruit ( a little influence from Archimboldo!). I think of fruit as an almost perfect metaphor for the face: from blossom to over ripe and everything between. I think my own face is becoming quite ripe, but there's still a way to go before landfall......
n a journey much like my own. I feel sometimes as if life is very much a free falling adventure with little to grab onto to slow the descent. And then too, a wind can come up and change my course - or a bird could capture and carry me away. So many possibilities and yet, so little control. I wonder if we're all free falling and colliding with each other as the winds play.....
a "brainstorm" would look? Well, for me it's one possibility - and my work is all about possibilities and what ifs. In my quest to personify ideas, the results are sometimes a bit strange and even a little foreboding. I do enjoy hinting at (or poking fun at) some of life's mysteries.
debut in November of 2005 and it's one of those pieces I still happen to have: probably because it's a mask that is just too personal for others to relate to. It's always interesting to me observing the public and how different masks attract different types of people. I never know which pieces will find their way into new homes or why they were chosen over others.........although, sometimes I'm given a bit more information than I would like!
